As Halpern's comment suggests, The Photographer's Playbook is a slap in the face for the obvious, the hackneyed, the over-familiar. Kurland's. Edited by photographers Jason Fulford and Gregory Halpern and published by The Aperture Foundation, The Photographer's Playbook. As Halpern's comment suggests, The Photographer's Playbook is a slap in the face for the obvious, the hackneyed, the over-familiar. Kurland's.
|Published:||22 April 2015|
|PDF File Size:||29.73 Mb|
|ePub File Size:||1.24 Mb|
Great if you are looking for someone specific, but not as helpful if you are looking to flex a particular creative muscle. You can read a more detailed review of The Photographer's Playbook here. Jun 07, Alex Flinsch rated it the photographers playbook was amazing This book is not a how-to or guide to photography, but rather a book of ideas that can be used to kickstart your creativity.
The best way to read this book is to open it to a random page, and follow the idea that you happen to land on. Inside you will find advice for better shooting and editing, creative ways the photographers playbook start new projects, games and activities, and insight into the practices of those responsible for our most iconic photographs—John Baldessari, Tina The photographers playbook, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker, and many more.
We started asking for contributions, and this blossomed into the assignments and the book.
A common theme among the contributions is the idea that before you can get creative, you need to be destructive, which suggests established approaches have gotten tired. Not that everyone rejects this hierarchy, though — Joachim Schmidt uses his authority to befuddle his students, confusing them until the photographers playbook become empty shells who forget who they are and what they have been taught.
This assignment is about recognising where photography comes from and how it relates to wider visual culture — the idea is to embrace these worlds the photographers playbook make photography outward-looking and expansive.
Otherwise, the medium is in danger the photographers playbook wallowing in a sepia- stained nostalgia for old forms of production, distribution and consumption. Baldessari does something similar but bases his assignment on specific experiments, such as how bread moulds.
His third book of photographs, entitled A, is a photographic ramble through the streets of the American Rust Belt.